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With the recent release of SAE’s glorious soundtrack for CYRANO DE BERGERAC, I patterned this month’s “9 on the 9th” post was the perfect time to celebrate the music of four-time Academy Award winner Dimitri Tiomkin. Known primarily for his scores for countless westerns and poem films of the 1950s and ’60s, Tiomkin is a polarizing composer with galore film sound fans. Tiomkin’s premature vocation as a concert pianist no doubt contributes to the long, continuous auditory sensation brimfull of loud, dramatic orchestral flourishes and likely more than notes per rating than almost any composer, and so or now. A Tiomkin mark is not content to sit idly by in the background.
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I haven't heard this Naxos CD by Hiroshi Ohguri, but it got a very good review: Review Num=6981 The full list of Naxos asian creation is here: Ito is an absorbing composer. The soundtrack elysian by gagaku euphony for Maya Deren's short piece of work "Meshes of the afternoon" is a masterpiece of ambiance in itself
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The Best Scores of 2013 :: Film Music Magazine
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